Singer and guitarist, King Lemon – looking like a depraved version of Roger Daltrey´s outstanding years – and drummer, Vampire Joe, are nothing but loud and psych-garage madness full of cacophony and distortion. If you prefer comparisons? A gear of sound reminiscent of The Cramps, The Sonics, The Velvets and Iggy & The Stooges.

“Iggy Pop’s second show is all about fun seekers, those people who get a kick out of what they are doing. Expect to hear Jimi Hendrix and his band cutting loose, The Ventures freaking out, and Tom Jones thoroughly enjoying himself.”

Kate Bush:  El regreso de la ermitaña británica “I am delighted to announce that we will be performing some live shows this coming August and September.I hope you will be able to join us and I look forward to seeing you there.We’ll keep you updated with further news on the web site. Meanwhile, all details of …

n Hard Rain – her last collection of reinterpretations – Jungr pays her respects (again) to the septuagenarian genius from Minnesota, Bob Dylan, and Canada´s dark bohemian wise baritone, Leonard Cohen.

Britain´s art-rock soprano and outsider, Kate Bush, is back after 35 years of not been enrolled on touring. And she is back with a massive London residency of 15 shows at the Hammersmith Odeon; the legendary venue that in 1973, saw Ziggy Stardust´s assassination and the stage where Bush´s last full show took place in 1979.

“The ‘godfather of punk’, Iggy Pop returns to 6 Music with even more eclectic and exciting music choices, delving into his personal record collection to give listeners an exclusive insight into the mind of one of the most influential rock stars of the last 40 years.” [BBC Radio]

This band is a worthy rock n´ roll revival with a colossal sound. “Ennio Morricone´s rock n´roll” is how they described themselves before and they might not be wrong if you think of spaghetti western soundtracks overlapped with American´s cowboy-desert sound fuelled with heavy drugged, psychedelic passages.

Marissa Nadler does not mind being vulnerable and to show her more fragile side. Praised by critics but still overshadowed commercially since 2004, Nadler´s music is honest and comes from the darkest corners of the soul.

Marissa Nadler – July Febrero 2014, Sacred Bones Elogiada por la crítica y aún opacada comercialmente desde el 2004, a Marissa Naddler no le importa ser vulnerable y mostrarnos su lado más frágil. Su música es honesta y viene de lo más sombrío del alma. En July – su sexta entrega – su voz fantasmagórica sirve de acompañante para ejemplificar …

“Transformer looks back at the 70s contemporary society and art practice, considering the aspects of transvestism and sexual self-reflection in art. The exhibition takes its title from the seminal 1972 album by Lou Reed, finding its parallel in the worlds of fashion and glam rock.”